Weyes Blood - Titanic Rising

8.8

Natalie Mering's latest album as Weyes Blood is her most cinematic and gorgeously arranged by a mile. The turbid lyrics contrast fantastically with the lush instrumentation to create material that can easily compete with the best pop-rock of the late 60s and early 70s. Titanic Rising is immaculate; an overall triumph for form and music.

Highlights

- Natalie's voice gives character, drama and passion to all the tracks where it's involved.

- The instrumentals feel opressed but thinly orchestrated, and the mixture of them swells you into a gigantic hole of sound and pace.

- The lyricism is cryptic and at-the-point, fulled with queasy anecdotes and sharp metaphors.

Lowlights

- At times, it feels like some songs could have used a bit more of diversity in lyrics and harmonies.

Standouts

- Everyday

- Andromeda

- Movies

Country: USA

Released: April 5, 2019

Length: 42:28

Spellling - Mazy Fly

8.4

The sophomore release from the American outcast Tia Cabral is a thick impersonation of lovely disdain and exhuberant melodrama in the form of pseudo-industrial hypnagogic pop and a melange of styles, moods and textures that serve for an experience as invigorating as entertainingly engrossing.

Highlights

- Spellling's vocal range and delivery are fantastic.

- The instrumentals are rotten and suffocated at the edge of delicate saturation.

- The cinematic narrative of the album.

Lowlights

- Some songs might be excessively long.

- The instrumental tracks, while good, do not live up to the rest of the record's potential.

Standouts

- Under The Sun

- Haunted Water

- Afterlife

Country: USA

Released: February 22, 2019

Length: 42:37

Solange - When I Get Home

8.8

With When I Get Home, Solange reaffirms her unbeatable ability to concoct effortlessly sequenced tracks that seem like a whole long song while still sharing varied layers and moods altogether. Not only that, but she cements herself as an unstoppable force redefining soul and crafting galactic production that plays with ambient and stoic repetition. More of a complement of than a contraposition to her previous magnum opus, the album lulls with the universal and the sensual in a work of art that transcends and awes from beginning to end relentlessly.

Highlights

- The stellar production team, in love with tiny details, delirious moods and constant magic.

- Solange's voice, as deadpan as savvy, offering just as much as it wants to and no more.

- The sequence the songs hold is a feature few other artists can show off.

Lowlights

- The use of repetition does have a purpose, but it gets excessive at certain parts.

- The majority of the tracks seem like interludes or mini-songs. While they find ways to grab power and substance, one is left wanting for even more.

Standouts

- Almeda

- Down With The Clique

- Binz

Country: USA

Released: March 1, 2019

Length: 39:02

Xiu Xiu - Girl With Basket Of Fruit

8.6

Eleven albums in, Xiu Xiu once again gives proof that's one of the (if not the) most consistently inventive and stretching pop bands in the world. The songs here are as eerily weird as mumblingly touching, razor-blading Jamie Stewart's one-of-a-kind voice with Angela Seo's perplexing production.

Highlights

- All tracks contain schizophrenic instrumentation that nonetheless make perfect sense.

- As previously said: Jamie's voice is cryptic, hauntingly beautiful and disgusting, and Angela's mixing is phenomenal in shape and in space.

- There's violence, nonsensical reverie and debauchery and profound messages in every corner here.

Lowlights

- It would have been great if some tracks contained a bit more of four-on-the-floor rhythms.

- As engrossing as they are, the lyrics are frustratingly difficult to understand.

Standouts

- Pumpkin Attack On Mommy And Daddy

- Normal Love

- Scisssssssors

Country: USA

Released: February 8, 2019

Length: 36:36

Sharon Van Etten - Remind Me Tomorrow

7.5

Sharon comes back to propel fire into the quietest storm. Her songwriting seems sharper than ever, while producer John Congleton once again demonstrates he's one of the most prolific figures in independent music to collaborate with. Candid and ever-longing.

Highlights

- The precious storytelling, recounted with gut and tender paranoia.

- The beats feel opressed, and the coy noise infiltrates tension to the songs.

- The immense love for life, love and music that the singer portrays all throughout.

Lowlights

- Some tracks are patience-defiers, and the record could have still gone well with 5 minutes less.

- While lyrics are fueled by longing and melancholia, some are heavy to understand.

Standouts

- No One's Easy To Love

- Seventeen

- Comeback Kid

Country: USA

Released: January 18, 2019

Length: 41:17

James Blake - Assume Form

7.4

Though more often than not too numb in love to vary subject matters, and besides the quite unnecessary traptronica beats here and there, James Blake continues to deliver beautiful, sumptuously introspective and shyly experimental pop-soul like few others can.

Highlights

- James' voice seems crackling, playful and addictively emotional all throughout.

- As on any of his productions, the instrumental and vocal layers are glorious.

- He managed to canalise his newly-found happiness and still maintain his usual somber, almost ghostly-like perspective on life.

Lowlights

- There are some tracks that don't reach up to the rest of the record's proficiency.

- Repetition has always functioned on his favour, but on several tracks here it does not.

- The collaborations (the one with Rosalía, specifically) could have been better exploited.

Standouts

- Don't Miss It

- Tell Them

- I'll Come Too

Country: UK

Released: January 18, 2019

Length: 48:12