Mostrando entradas con la etiqueta Baroque Pop. Mostrar todas las entradas
Mostrando entradas con la etiqueta Baroque Pop. Mostrar todas las entradas

jueves, 18 de abril de 2019

Weyes Blood - Titanic Rising


8.8

Natalie Mering's latest album as Weyes Blood is her most cinematic and gorgeously arranged by a mile. The turbid lyrics contrast fantastically with the lush instrumentation to create material that can easily compete with the best pop-rock of the late 60s and early 70s. Titanic Rising is immaculate; an overall triumph for form and music.

Highlights
- Natalie's voice gives character, drama and passion to all the tracks where it's involved.
- The instrumentals feel opressed but thinly orchestrated, and the mixture of them swells you into a gigantic hole of sound and pace.
- The lyricism is cryptic and at-the-point, fulled with queasy anecdotes and sharp metaphors.

Lowlights
- At times, it feels like some songs could have used a bit more of diversity in lyrics and harmonies.

Standouts
- Everyday
- Andromeda
- Movies

Country: USA
Released: April 5, 2019
Length: 42:28

miércoles, 13 de febrero de 2019

Pavo Pavo - Mystery Hour


6.6

Indecipherable quintet Pavo Pavo once again defies pop and psychedelic laws presenting something as odd as accessible. This time, with Mystery Hour, some experiments linger on your mind while others simply leave you unaffected. An overall charming mixbag, I'd say.

Highlights
- Continuous challenges to the song structures and moods. It's good to have uneasiness every now and then.
- The voices do play important roles, and they humbly deliver.
- The instrumentals awe, discomfort and comfort at same times.

Lowlights
- The album relies a lot on already established stereotypes of break-up anthems.
- The pace of the record is not fully kept throughout its running time.

Standouts
- Close To Your Ego
- 100 Years
- Around, Pt. 1

Country: USA
Released: February 1, 2019
Length: 34:30